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	<title>Comments on: Interaction of sculptor and painter</title>
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	<link>http://artandperception.com/2006/08/interaction-of-sculptor-and-painter.html</link>
	<description>a multi-disciplinary dialog</description>
	<pubDate>Fri, 05 Dec 2008 13:06:04 +0000</pubDate>
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		<title>By: Karl Zipser</title>
		<link>http://artandperception.com/2006/08/interaction-of-sculptor-and-painter.html#comment-237</link>
		<dc:creator>Karl Zipser</dc:creator>
		<pubDate>Sat, 19 Aug 2006 04:48:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.artandperception.com/v01/2006/08/interaction-of-sculptor-and-painter.html#comment-237</guid>
		<description>I have sometimes had the idea also that some Renaissance paintings were made from sculptural figures rather than live models, because of a hard quality of the light and shading on the skin. Michelangelo's &lt;a HREF="http://en.wikipedia.org/wiki/Doni_Tondo" rel="nofollow"&gt;&lt;I&gt;Doni Madonna&lt;/I&gt;&lt;/A&gt; seems to me a good candidate for a painting made from sculptural models. We cannot be certain how any particular picture was made, of course.</description>
		<content:encoded><![CDATA[<p>I have sometimes had the idea also that some Renaissance paintings were made from sculptural figures rather than live models, because of a hard quality of the light and shading on the skin. Michelangelo&#8217;s <a href="http://en.wikipedia.org/wiki/Doni_Tondo" onclick="javascript:pageTracker._trackPageview('/outbound/comment/en.wikipedia.org');" rel="nofollow"><i>Doni Madonna</i></a> seems to me a good candidate for a painting made from sculptural models. We cannot be certain how any particular picture was made, of course.</p>
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		<title>By: Angela Ferreira</title>
		<link>http://artandperception.com/2006/08/interaction-of-sculptor-and-painter.html#comment-236</link>
		<dc:creator>Angela Ferreira</dc:creator>
		<pubDate>Fri, 18 Aug 2006 13:37:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.artandperception.com/v01/2006/08/interaction-of-sculptor-and-painter.html#comment-236</guid>
		<description>Many of the live renaissance period paintings that I have seen close to the eye gave me the impression that were painted from sculptures rather than live models.
It’s very interesting that you are studying and working from your own sculptured models than rely on the commodity of already formed imagery.</description>
		<content:encoded><![CDATA[<p>Many of the live renaissance period paintings that I have seen close to the eye gave me the impression that were painted from sculptures rather than live models.<br />
It’s very interesting that you are studying and working from your own sculptured models than rely on the commodity of already formed imagery.</p>
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		<title>By: Karl Zipser</title>
		<link>http://artandperception.com/2006/08/interaction-of-sculptor-and-painter.html#comment-235</link>
		<dc:creator>Karl Zipser</dc:creator>
		<pubDate>Tue, 15 Aug 2006 01:20:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.artandperception.com/v01/2006/08/interaction-of-sculptor-and-painter.html#comment-235</guid>
		<description>I found this quote in &lt;I&gt;The Feud that Sparked the Renaissance&lt;/I&gt; by Paul Robert Walker. This is an excellent book which tells the life stories of Lorenzo Ghiberti and Filippo Brunelleschi.</description>
		<content:encoded><![CDATA[<p>I found this quote in <i>The Feud that Sparked the Renaissance</i> by Paul Robert Walker. This is an excellent book which tells the life stories of Lorenzo Ghiberti and Filippo Brunelleschi.</p>
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