<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	>
<channel>
	<title>Comments on: Take three</title>
	<atom:link href="http://www.artandperception.com/2008/03/take-three.html/feed/" rel="self" type="application/rss+xml" />
	<link>http://artandperception.com/2008/03/take-three.html</link>
	<description>a multi-disciplinary dialog</description>
	<pubDate>Thu, 20 Nov 2008 09:19:20 +0000</pubDate>
	<generator>http://wordpress.org/?v=2.6.1</generator>
		<item>
		<title>By: melanie</title>
		<link>http://artandperception.com/2008/03/take-three.html#comment-92507</link>
		<dc:creator>melanie</dc:creator>
		<pubDate>Sun, 30 Mar 2008 04:06:25 +0000</pubDate>
		<guid isPermaLink="false">http://www.artandperception.com/2008/03/take-three.html#comment-92507</guid>
		<description>I love the Hopi (I think, Hopi) origin myth -- it says that the people came up from under the earth, and the earth was soft, and wherever the people traveled, they left hand and foot prints in the soft earth. 

This story probably arose from living in a land composed of volcanic ash and theorizing based on observation. The geology is astonishing and so evocative.

And the "seeing without seeing" aspect leads us back to the discussion in the next post, doesn't it?</description>
		<content:encoded><![CDATA[<p>I love the Hopi (I think, Hopi) origin myth &#8212; it says that the people came up from under the earth, and the earth was soft, and wherever the people traveled, they left hand and foot prints in the soft earth. </p>
<p>This story probably arose from living in a land composed of volcanic ash and theorizing based on observation. The geology is astonishing and so evocative.</p>
<p>And the &#8220;seeing without seeing&#8221; aspect leads us back to the discussion in the next post, doesn&#8217;t it?</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: __</title>
		<link>http://artandperception.com/2008/03/take-three.html#comment-92495</link>
		<dc:creator>__</dc:creator>
		<pubDate>Sun, 30 Mar 2008 02:48:06 +0000</pubDate>
		<guid isPermaLink="false">http://www.artandperception.com/2008/03/take-three.html#comment-92495</guid>
		<description>Loved reading this... Like always.

Fascinating - the Anasazi.</description>
		<content:encoded><![CDATA[<p>Loved reading this&#8230; Like always.</p>
<p>Fascinating - the Anasazi.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Steve Durbin</title>
		<link>http://artandperception.com/2008/03/take-three.html#comment-92450</link>
		<dc:creator>Steve Durbin</dc:creator>
		<pubDate>Sat, 29 Mar 2008 23:13:27 +0000</pubDate>
		<guid isPermaLink="false">http://www.artandperception.com/2008/03/take-three.html#comment-92450</guid>
		<description>Melanie,

I also saw the hand when I looked at the photograph, but not when I was taking it. Ironically, there are often real handprints of various types left by former inhabitants.</description>
		<content:encoded><![CDATA[<p>Melanie,</p>
<p>I also saw the hand when I looked at the photograph, but not when I was taking it. Ironically, there are often real handprints of various types left by former inhabitants.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Birgit</title>
		<link>http://artandperception.com/2008/03/take-three.html#comment-92423</link>
		<dc:creator>Birgit</dc:creator>
		<pubDate>Sat, 29 Mar 2008 21:40:17 +0000</pubDate>
		<guid isPermaLink="false">http://www.artandperception.com/2008/03/take-three.html#comment-92423</guid>
		<description>Melanie,

I had not noticed the hand before.

Pic #3 does have a sweet touch, hi, Mom the little says one with its mouth open.</description>
		<content:encoded><![CDATA[<p>Melanie,</p>
<p>I had not noticed the hand before.</p>
<p>Pic #3 does have a sweet touch, hi, Mom the little says one with its mouth open.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: melanie</title>
		<link>http://artandperception.com/2008/03/take-three.html#comment-92419</link>
		<dc:creator>melanie</dc:creator>
		<pubDate>Sat, 29 Mar 2008 21:18:54 +0000</pubDate>
		<guid isPermaLink="false">http://www.artandperception.com/2008/03/take-three.html#comment-92419</guid>
		<description>Thanks for posting these. I miss traveling in the rocky west and southwest -- it's such beautiful country.

In the the third pic (and slightly so in the fourth), there seems to be an enormous handprint in the cliff. I like the relative proportion of the dwelling to environs in #3, but the "hand" seems alternately humorous (Hi, Mom!) and sinister.</description>
		<content:encoded><![CDATA[<p>Thanks for posting these. I miss traveling in the rocky west and southwest &#8212; it&#8217;s such beautiful country.</p>
<p>In the the third pic (and slightly so in the fourth), there seems to be an enormous handprint in the cliff. I like the relative proportion of the dwelling to environs in #3, but the &#8220;hand&#8221; seems alternately humorous (Hi, Mom!) and sinister.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Steve Durbin</title>
		<link>http://artandperception.com/2008/03/take-three.html#comment-92008</link>
		<dc:creator>Steve Durbin</dc:creator>
		<pubDate>Fri, 28 Mar 2008 15:01:08 +0000</pubDate>
		<guid isPermaLink="false">http://www.artandperception.com/2008/03/take-three.html#comment-92008</guid>
		<description>Jay,

Yes, the integration with the environment is one of the most fascinating aspects. Of course, the construction materials are the local rock, mud, and sticks. One of the problems photographically is to help the structures stand out rather than completely blend in.

In this case, there were several other ruins remaining within a few hundred yards, and there were probably others that have left little or no trace.

As for ghosts, I do almost feel sometimes I can see people moving about, grinding corn at the metates, etc.</description>
		<content:encoded><![CDATA[<p>Jay,</p>
<p>Yes, the integration with the environment is one of the most fascinating aspects. Of course, the construction materials are the local rock, mud, and sticks. One of the problems photographically is to help the structures stand out rather than completely blend in.</p>
<p>In this case, there were several other ruins remaining within a few hundred yards, and there were probably others that have left little or no trace.</p>
<p>As for ghosts, I do almost feel sometimes I can see people moving about, grinding corn at the metates, etc.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Steve Durbin</title>
		<link>http://artandperception.com/2008/03/take-three.html#comment-92006</link>
		<dc:creator>Steve Durbin</dc:creator>
		<pubDate>Fri, 28 Mar 2008 14:55:54 +0000</pubDate>
		<guid isPermaLink="false">http://www.artandperception.com/2008/03/take-three.html#comment-92006</guid>
		<description>Birgit,

Somehow I missed noticing that an earlier comment never posted, but I agree that there is a certyain snugness in the way the ruins are often carefully fitted into the surrounding rock, including previously fallen slabs that are too huge to move. What's most scary is sometimes the getting up or down to them.</description>
		<content:encoded><![CDATA[<p>Birgit,</p>
<p>Somehow I missed noticing that an earlier comment never posted, but I agree that there is a certyain snugness in the way the ruins are often carefully fitted into the surrounding rock, including previously fallen slabs that are too huge to move. What&#8217;s most scary is sometimes the getting up or down to them.</p>
]]></content:encoded>
	</item>
</channel>
</rss>
