Comments on: Glomming on the Gloaming http://artandperception.com/2008/05/glomming-on-the-gloaming.html a multi-disciplinary dialog Thu, 20 Nov 2008 11:52:59 +0000 http://wordpress.org/?v=2.6.1 By: Jay http://artandperception.com/2008/05/glomming-on-the-gloaming.html#comment-116097 Jay Fri, 23 May 2008 14:47:20 +0000 http://www.artandperception.com/2008/05/glomming-on-the-gloaming.html#comment-116097 Melanie: Looks like Birgit did it for me. Melanie:

Looks like Birgit did it for me.

]]> By: Jay http://artandperception.com/2008/05/glomming-on-the-gloaming.html#comment-115814 Jay Fri, 23 May 2008 01:52:28 +0000 http://www.artandperception.com/2008/05/glomming-on-the-gloaming.html#comment-115814 Melanie: In principle, yes. I've been avoiding that as I'm skeptical about the outcome. But since we're playing around here I might give it a try. Melanie:

In principle, yes. I’ve been avoiding that as I’m skeptical about the outcome. But since we’re playing around here I might give it a try.

]]> By: melanie http://artandperception.com/2008/05/glomming-on-the-gloaming.html#comment-115805 melanie Fri, 23 May 2008 01:24:16 +0000 http://www.artandperception.com/2008/05/glomming-on-the-gloaming.html#comment-115805 I wonder (it's the editor in me)... could this just-blurry-enough window be stretched to fit and then cut-and-pasted into the original wall? I wonder (it’s the editor in me)… could this just-blurry-enough window be stretched to fit and then cut-and-pasted into the original wall?

]]> By: Steve Durbin http://artandperception.com/2008/05/glomming-on-the-gloaming.html#comment-115783 Steve Durbin Fri, 23 May 2008 00:32:54 +0000 http://www.artandperception.com/2008/05/glomming-on-the-gloaming.html#comment-115783 Birgit's eye and I agree. I don't know what Jay may say, but his efforts have illuminated what we find appealing. One reason I seldom work with color (for now, anyway) is that even slight differences in hue can greatly alter the impression, and I can dither indefinitely trying to get it the way I want. Birgit’s eye and I agree. I don’t know what Jay may say, but his efforts have illuminated what we find appealing. One reason I seldom work with color (for now, anyway) is that even slight differences in hue can greatly alter the impression, and I can dither indefinitely trying to get it the way I want.

]]> By: Birgit Zipser http://artandperception.com/2008/05/glomming-on-the-gloaming.html#comment-115589 Birgit Zipser Thu, 22 May 2008 14:16:52 +0000 http://www.artandperception.com/2008/05/glomming-on-the-gloaming.html#comment-115589 Jay, Using photoshop, I pasted the <a href="http://www.artandperception.com/2008/05/a-moment-of-gloaming.html">original</a> and present images side by side to be able to compare the two more easily. I still like the original better: (1) The blue is more greyish and its yellow is more lemony. I wonder whether the fact that the blue wall is slightly unfocused helps the somewhat nightmarish impression. (2) I am enamored by the stuff hanging to the left of the window. It reminds me of cowboy times. The blue on far left helps framing, emphasizing it. (3) I prefer the window in its more elongated form. To me, it seems that the original Cotwoldish interpretation of your workshop at gloaming is perfect. Jay,

Using photoshop, I pasted the original and present images side by side to be able to compare the two more easily.

I still like the original better:
(1) The blue is more greyish and its yellow is more lemony. I wonder whether the fact that the blue wall is slightly unfocused helps the somewhat nightmarish impression.
(2) I am enamored by the stuff hanging to the left of the window. It reminds me of cowboy times. The blue on far left helps framing, emphasizing it.
(3) I prefer the window in its more elongated form.

To me, it seems that the original Cotwoldish interpretation of your workshop at gloaming is perfect.

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